| Ahmed
Kamel: Documenting Islam

"I've always hoped I could do something that's serious and useful
for Islam," says documentary film-maker Ahmed Kamel, who took his
masters from the Adham Center in 1995. It seems he has found a good
place to do so with his current employer, MBC's O3 Productions.
Kamel's first experience in the real world of journalism was a baptism
by fire, however.
"My first day at work (as a freelance editor with WTN) was the
day of the attempted assassination of President Mubarak in Ethiopia,"
remembers Kamel. "Every foreign journalist in Cairo was trying
to get the story and I was in over my head. Then a reporter from New
Zealand helped me to calm down and I got through it. I did twelve stories
that day, but it was hell. That was when I learned that this is a serious
profession and the people who work in it are tough."
The same year, Kamel moved on to ABC as an assistant to Middle East
producer Hanzada Fikri, and gained invaluable experience working with
leading Australian reporter Jennifer Byrne. Later, from 1994 to 2003,
he worked as a freelance producer and cameraman for MBC's Cairo news
office, as well as for BBC's Panorama, for BBC 4, and for Germany's
ARD, where he was a cameraman on ARD's 2002 Grimme-winning documentary
Die Todespiloten on the events of 9/11.
It was when he joined O3 Productions in 2003, however, that Kamel found
the space to pursue his real interests. Owned by MBC and based in Dubai's
Media City, O3 was founded at the same time as Al Arabiya to make and
buy documentaries for that channel and for MBC. According to Kamel,
the company seeks to make "serious documentaries on political,
economic, social, and cultural topics relevant to the Middle East."
Following an initial documentary on Arabic calligraphy, Kamel worked
on a two-part series on the Muslim pilgrimage, or Hajj. Unwilling to
treat the subject as a simple account of the rites of the pilgrimage,
Kamel sought a new angle and found it in what he calls "the failure
of Islam to capitalize on the potential of the pilgrimage to bring Muslims
of different backgrounds together. The Malaysians know nothing about
the Egyptians and the Egyptians know nothing about the Turks. There
is ignorance and there are even tensions." The experience, says
Kamel, made him realize he could do a film with a "message,"
and he found himself increasingly drawn to Islamic topics.
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A further opportunity soon presented itself when he became a key member
of the team producing a six-part mini-series on Islamic fundamentalism
entitled Ex-Extremists (Mutatarrifun Sabiqun), aired in part
on Al Arabiya in September 2004. Three episodes are devoted to interviews
with 28 "amirs," or commanders, of Egypt's Gama'a Islamiyya,
including five or six who had never been interviewed before. A fourth
comprises a profile of Muhammad Hammam, the Gama'a member who according
to Kamel "bought the bullets used to assassinate Anwar El-Sadat"
in 1981. The fifth and sixth are devoted to Algeria's Islamic Salvation
Front and Iran (unfinished). Copies have been purchased by the Moroccan
and New Zealand television services.
Kamel's most recent work is In the Footsteps of the Prophet ('Ala
Khuta al-Rasul), airing on MBC in October 2004. Kamel describes
it as "the only film to document all places and stories relevant
to the Prophet Muhammad, including the mosques where he prayed in Mecca
and in Madina, the route of the Hijra, Thawr Cave and the Mountain of
Thawr, and the Jabal al-Nur. It also includes coverage of very rare
stories such as that behind al-Sadana ("The Custodians"),
the men who hold the keys to the Kaaba, and the well of Zamzam, and
rare footage from the Hajj of 1929." Making the film also gave
Kamel a cinematic first, when he claims that he became the only person
to circumambulate the Kaaba with his camera running.
On Footsteps, Kamel has credits as director, producer, and cameraman,
an achievement he says he would not have been capable of without the
training he received at the Adham Center. "Everything I film I
direct and everything I direct I film. And then I edit it," says
Kamel. "That was the beautiful thing about what I learned at the
Adham Centre. You learn everything that you need."
The opportunities to practice this knowledge have sometimes cropped
up unexpectedly. Making Footsteps, Kamel found himself in the
film studio of the Meccan sanctuary, which is equipped with sixteen
cameras to transmit the daily prayers around the world - joystick-based
equipment that Kamel had been trained on at the Center. "I found
I remembered every button, even after twelve years, and I was able to
film for two hours, obtaining wonderful footage for the documentary."
Kamel is currently working on a documentary on Islamic religious discourse
after 9/11, and has a number of other projects in the hopper, including
one on the Muslim Brotherhood in Egypt, Jordan, and Syria.
Clearly happy in his work, he seems like a man who has found his niche.
-Humphrey Davies
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