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Sony Broadcast Holds First Competition for Students, Alumni
JULY 20, 2000 All right, who can tell the difference
between Sonys new DSR-PD150P DVCAM camcorder (a handheld digital video camera)
and the DCR-VX1000E that broadcasters, education facilities (including the Adham
Center) and the corporate marketattracted by the cameras light weight, color
and sharpness quality and relatively very low costhave been using over the past
few years? Besides, that is, Sony Broadcast promo writers or the editors of Digital
Studio trade magazine, who reported on the new camera in this months special
Egypt issue.
Well, the eleven cameraman-editor contestants who used the
DVCAM in the first Sony competition for Adham Center students and alumni, held
at the ERTU Television Festival and Exhibition 2000 at the Cairo International
Conference Center (CICC) in Nasr City, and their Adham Center technical instructor
Jan Sandle, who helped Sony put this competition together, certainly know their
cameras. Especially the contest winnerwho is now the proud owner of a DSR-PD150P.
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The competitionwhich required the contestants, as Video Journalists,
to produce (meaning to research, shoot, write voiceover and edit) a two- to three-minute
video news report on any aspect of the festivaltook place at the CICC from July
12 to 15. It is a reflection of the long relationship based on mutual appreciation
between the Adham Center and Sony Broadcast that the competition was limited by
Sony to Adham Center students and graduates. This cooperation has long been reflected
in the almost exclusive use by the Adham Center of Sony cameras, both Betacam
and digital, as well as video edit packs and studio equipment. The relationship
is also characterized by the generous Sony Broadcast donation that was responsible
for the naming of the Sony Gallery for Photography at the Center.
But Sonys decision didnt just express its appreciation of
a good client. It also reflected, according to Hassan Ghoul, manager of Sonys
Middle East Regional Office in Dubai, a recognition that only Adham Center students
and graduates have the training necessary to quickly upgrade their shooting skills
to the level required to make maximum competitive use of the DSR-PD150P as well
as the new Sony ES-3 Non-Linear Editor with which the contestants edited their
stories.
Six of the final eight competitors (including the winner) are
still students at the Adham Center. They have just completed a year of preparatory
training as Video Journalists in the MA program, and this was their first actual
rather than simulated field report in which they applied what they have learned
to date without benefit of the critiques and coaching that is part of their coursework.
Everyone from the judgesWill Strauss, editor of Digital Studio
magazine and Ahmed Assar, Senior Producer, Reuters TV Cairothe Sony executives
present including Dan Taylor, Hassan Ghoul and Ghada Ezz, to the Adham Center
teaching staffAbdallah Schleifer, who also served as a judge, and Jan Sandlewere
impressed by the quality of the students work.
Strauss, who is ordinarily based in London and Dubai, the editorial
centers for Digital Studio, was in Cairo to cover the International Festival and
Exhibition, as well as to produce a special report for his magazine on the Adham
Center and its television journalism graduate degree program. Strauss subsequently
visited the campus and met with TBS Managing Editor Sarah Sullivan and with Jan
Sandle.
The winner, Nermine Alireza, is more than a first-year student;
she is also a poised and accomplished presenter and reporter at Nile TV, which
was established a little more than five years ago with a core of Adham Center
graduates who attempted to establish an international standard for reporting at
that channel. The other student contestants were Amira Hassan Enanie, Marwa Ragaa
Radwan, Mahitab Ezz el Din, Lina Abel Sadek, and Iman Adel Mosharafa.
The other two contestants whose work particularly impressed
the judges are alumni: Hania Moheeb, a correspondent and producer for Nile News,
and Rasha Sayed, who works as a reporter-producer for Orbit. Adham Center student
Marwa Radwan, who takes over in the fall as Student Executive Producer of the
centers second-year workshop news bureau AUC News, tied with Hania and Rasha
for second place in the unofficial rankings by the judges.
Indeed this competition was more than a contest; it was also
an intense, hands-on training course on the Sony ES-3 and DSR-PD150P. Accordingly
the Sony Broadcast and Professional Middle East operation awarded the eight contestants
with Certificates of Achievement, signed by Hassan Ghoul and the Sony instructor
Ghada Ezz, an Adham Center alumni (1994) on loan to Sony for the Exhibition from
ART Cairo, where she has recently been promoted from senior editor to head of
the Promo Production Department.
The new Sony DSR-PD150P builds on the quality of the DCR-VX1000E
that the Adham Center uses, but it has DV(SP) recording and playback compatibility
that makes possible emergency long-time recording. At the heart of this prize
camera is a new 1/3 inch three CCD camera system, that when compared with the
DCR-VX1000E, doubles the camcorders light sensitivity, improves the S/N ratio,
reduces smear levels and significantly enhances low-light performance. Another
new feature, Super Steadyshot, detects and compensates for any horizontal or
vertical movement, which is of critical importance when using a lightweight video
camera.
Adham Center Technical Coordinator and Instructor Jan Sandle
put it this way: Size-wise there is almost no difference, but there are some
changes which are definitely advantageous. The audio inputs are now XLR and the
camera microphone is detachable. There is also a line input option. There is an
extra side monitor (a large-screen LCD monitor) as well as the normal viewfinder
screen. This feature is especially important for Video Journalists who are in
the field alone and have great difficulty framing themselves for their stand-uppers
or the 2-shot when doing an interview. This monitor springs out and can be flipped
over to face the reporter/operator who is in front of the camera, which is on
a tripod.
The battery compartment has been moved outside, thus not restricting
the battery to one size only. There is a spotlight and backlight function plus
two ND filters availableexcellent features to assist the operator with a variety
of lighting situations.
The DVCAM quality is amazing. When the stories of the competition
were played onto the large screen there was incredible clarity, Sandle observed.
All of the contestants were deeply impressed by the new Sony
equipment and grateful for the chance to participate in this competition. According
to Sandle, the competition was an excellent opportunity for the students to expand
their training. The chance to work using the new Sony DVCAM camcorder and ES3
edit station was an instant introduction to equipment they would otherwise not
yet have had the chance to use.
Putting the students in a competitive atmosphere encouraged
them to use all their shooting, writing and editing skills and at the same time
introduce them to the latest technology. It worked perfectly, Sandle said.
Competition winner Nermine Alireza said she had a great time
shooting and editing and just being in the competition. The camera is fantastic
and very easy to use. Nermine said she wanted to thank Sony for the opportunity
to be in the competition and to use their latest equipment.
Adham Center graduate student Marwa Radwan saw the competition
as a chance to get a sense of the real thing for our next year of training
and for the future in the television business. I enjoyed the competition and getting
to know the Sony people.
Marwas fellow student Amira Enanie was particularly impressed
by Sonys new ES-3 Non-Linear Editor: It really runs circles around everything
else I have used. Its faster and far more versatile. Its much easier to load
when you are digitizing your tape before editing. Amira also enjoyed using the
new camera: Its like getting Betacom quality without having to have that heavy
load on ones shoulder. The best of both worlds, you could say. Its very, very
close to Betacam broadcast quality; the difference is barely noticeable. I wish
we could use both the DSR-PD150P camera and the ES-3 editor at the center. Both
units would definitely improve the technical quality of our work.
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