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Palestinian Refugees in
their "Hope and Despair

At the Sony Gallery exhibition
"In Hope and Despair," Swedish photographer Mia Grondahl introduces people whom
the world has long ignored-Palestinian refugees, people not allowed to be seen,
people almost sunk, unceremoniously, into oblivion.
The Palestinian refugees
are the victims of an evil Nakba ("Disaster"), unsurpassed in modern times, when
a land was occupied by a minority of foreign immigrants, emptied of its national
majority, its physical and cultural landmarks obliterated, and its destruction
hailed as a miraculous act of God and a victory for freedom and civilized values.
These are the people that Grondahl wanted the world to see through her photographs,
for "if nobody sees you in this world, it is almost as if you do not exist," as
Grondahl declares in the introduction to the catalogue. The 28 photographs exhibited
in the Sony Gallery are a selection from her book In Hope and Despair,
published by AUC Press.
The exhibit was inaugurated
on September 21 by Peter Hansen, commissioner general of the United Nations Works
and Relief Agency for Palestine Refugees (UNWRA), who believes that "photography
is an important element in telling the story of the Palestinian refugees, as the
Agency has taken it upon itself to maintain an unequaled photographic record of
the lives and history of those in its care." The documentary record of the Palestinian
refugees, who were put in the care of UNRWA in 1949, Hansen asserts, "runs to
over 30,000 still images and hundreds of hours of film footage, spanning decades
and many generations of refugee experiences."
Grondahl's fresh collection
of colorful, lively photographs is, however, more than a simple record of poverty,
overcrowding, and despair. They represent, more effectively, an attempt to make
the world "see" those people who were almost made invisible by Western media which
"focused on the victors, the colonialists and immigrants who in the end managed
to take over Palestine and turn it into Israel," asserts Grondahl, who grew up
in a world that sympathized with the Israelis. "The shadow of the Holocaust was
still hanging over Europe and we, the generation born after the war, were raised
in the belief that the Israelis were still victims."
It was now time for the
world to recognize the victims of the Israel's own holocaust-the 1948 Nakba. For
even if Jewish fear of gentiles is understandable considering the European Jews'
history of oppression, when this fear is translated into active policy it becomes
dangerous and bloody. Such was the case for Palestine. The expulsion and expropriation
of Palestinians as a precondition for establishing the State of Israel was a result
of this paranoia. Ben Gurion's doctrine of transfer and ethnic cleansing, which
is now fully documented by historians and which is still followed to date, calls
for committing an actual act of murder for fear that the victim, if allowed to
survive, might harm the murderer.
Grondahl was disillusioned
earlier in her life through a journey to "the young and vibrant state" as the
propaganda portrayed Israel, when she went to live and work in a kibbutz. "Many
years later I learnt that the Kibbutz of Maagan Mikhael was built in 1950 on land
that belonged to the Palestinian village of Kabara, which was one of the almost
500 Palestinian villages destroyed by Jewish forces in 1948-1949. Its 120 inhabitants
were among the nearly one million Palestinians who were forced to flee their homes
and seek refuge in neighboring countries." The State of Israel was declared in
1948 on territory captured from Palestine that did not exceed 11% of the land.
Israel then managed to confiscate or steal the remaining 90 percent, which belonged
to the Palestinian refugees.
In the refugee camps in
Syria, Lebanon, Jordan, and the West Bank and Gaza, home to the now over 5 million
registered Palestinian refugees (unregistered refugees raise that number to well
over 6 million), Mia Grondahl met the people she asserts she will never forget.
Amid the ugly chaos, poverty, over-crowding, and despair in the camps, she still
found "an abundance of beauty. . . . It belonged to the people. I found it in
their faces and the way they carried themselves: a proud yet friendly stature.
I still wonder from where the refugees are drawing their friendliness, hospitality
and willingness to open their hearts and houses to my camera and questions."
Grondahl cannot help thinking
of eighty-year-old Mahmoud Zigari who still keeps the keys of his old house in
Zakharia, the village where he was born and which is only a couple of kilometers
from the refugee camp he was expelled to on the outskirts of Bethlehem . Despite
more than half a century of suffering and exile, Palestinians remain adamant in
their determination to return to their homeland, in pursuit of the most elemental
principles of justice. After all, about 92 percent of the refugees live in Palestine
and its environs, with 48 percent in British Mandated Palestine and 44 percent
in Jordan, Syria, and Lebanon, within a 100-mile radius of Palestine . Only 8
percent reside further away, in Arab and foreign countries.
Israel has advanced all
kinds of false claims against the right of these refugees to return and has made
feverish attempts to import as many immigrants as possible to fill their place,
offering, on the other hand, about a hundred schemes for resettling Palestinian
refugees anywhere but in their homes-plans to transfer, resettle, and exchange,
lands. All of these ideas confuse the issue of sovereignty and the issue of the
inalienable right of refugees to return home, which is restated in UN resolution
149 and has been affirmed by the international community 135 times in the period
from 1948 to 2000.
To acknowledge Mahmoud's
and other refugees' right of return, would be for Israel to confess to the crime
it committed in 1948 and admit that there were people living in Palestine, contrary
to the myth of "a land without people for a people without a land." If it were
to grant the sisters Fatma and Hamda, who were expelled from their home in 1948,
their lifetime wish to return home, Israel would be admitting its responsibility
for expelling them in one of the thirty-odd Israeli military operations, accompanied
by 35 reported massacres of civilians, half of which took place before any Arab
soldier set foot in Palestine. The most well known of these massacres was that
of Deir Yassin, the largest that of Dawayma, and the most recently disclosed (by
Israeli scholar Teddy Katz) that of Tantoura.
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Fatma and Hamda are living
proof of the ethnic cleansing plan: "From their mud hut in the Jordan Valley they
can see their own homeland on the other side of the river," says the caption.
The photographs of these and other Palestinian refugees in Mia Grondahl's exhibit
implore the world-as she puts it-to "look into their eyes, to meet people who
deserve not only our sympathy and understanding but also our voices to help them
fulfill their right of return to their homeland," which is not only legal but
also, according to recent research by Palestinian researcher and activist Salman
Abu Sitta, possible in practice and applicable without the infliction of real
harm on Israel. Furthermore, the return of refugees can bring real peace to the
region. It is in effect the key to lasting peace in the Middle East.
Until the world decides
to stand by justice and inalienable human rights, and until Israel realizes it
has to shed its racist policies that deny the right of return, work such as Grondahl's
will be necessary to support UNRWA's efforts to maintain the identity of the Palestinian
people for future generations.
Maha
Shahbah
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